After accidentally raising a Mummy from the dead, eleven-year-old Alex O'Connell is every kid's hero, as he narrowly escapes one disaster after another. He and his family must race across the globe to locate the lost scrolls that will unlock the powers of a magical manacle and send the Mummy back to his tomb for good!

Black Manta seeks revenge on Aquaman for his father's death. Wielding the Black Trident's power, he becomes a formidable foe. To defend Atlantis, Arthur (Aquaman) forges an alliance with his imprisoned brother. They must protect the kingdom.

Behind-the-scenes documentary about the making of director Steven Spielberg's 1997 film "The Lost World."

Ashens goes on a quest to find the legendary and elusive piece of electronic tech known only as the GameChild.

Even the most devout Star Wars fan might not know that filmmaker and journalist Michel Parbot was once given unprecedented access to the set, stars, and filmmakers behind The Empire Strikes Back. The resulting work, The Making of The Empire Strikes Back, has apparently never been commercially released. Most of the footage has been lost, but 15 minutes has circulated online in recent years. Now, the 1 hour cut of Michel Parbot’s lost documentary has been found.

Based on two plays by Alexei Konstantinovich Tolstoy – "The Death of John the Terrible" and "Tsar Fyodor Ioannovich".

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The Kingdom of The Wind, also known as The Land of The Wind, is a 2008 South Korean historial drama, broadcast on KBS from 10 September 2008 to 15 January 2009. It was directed by Kang Il-soo, written by Choi Wan-gyu, Jung Jin-ok, Park Jin-woo; adapted from manhwa by Kim Jin.

The film unfolds a young Chinese migrant’s poignant recollection of her love story within an underground troupe against the shifting landscape of Chinese urban queer allies and activism. In her voice-over narration, she reflects on the intimacy, struggles, and sacrifices once shared with a lost lover. As her private memories intertwine with public narratives of resistance, both she and her community navigate secrecy, repression, survival, looming precarity, and displacement under societal pressures, while confronting the personal cost of existing in a world that demands their silence. By its kaleidoscopic assemblages of dramatic re-enactments, interviews, found footage, news archives and psychoanalytically informed representations of consciousness, the film takes an essayistic, and "queering", approach to sexual identity, power, governmentality in contemporary China, where the ongoing ideological tensions between socialism and neoliberalism shape both public culture and private life.

The film unfolds a young Chinese migrant’s poignant recollection of her love story within an underground troupe against the shifting landscape of Chinese urban queer allies and activism. In her voice-over narration, she reflects on the intimacy, struggles, and sacrifices once shared with a lost lover. As her private memories intertwine with public narratives of resistance, both she and her community navigate secrecy, repression, survival, looming precarity, and displacement under societal pressures, while confronting the personal cost of existing in a world that demands their silence. By its kaleidoscopic assemblages of dramatic re-enactments, interviews, found footage, news archives and psychoanalytically informed representations of consciousness, the film takes an essayistic, and "queering", approach to sexual identity, power, governmentality in contemporary China, where the ongoing ideological tensions between socialism and neoliberalism shape both public culture and private life.